12/15/2023 0 Comments Theatre stage design infographic![]() Farmington Hills: Gale.Directing is a collaborative art form. What are main characteristics of Renaissance drama? Taken from. The Methuen Drama Dictionary of the Theater. On the other hand, some of Christopher Marlowe's plays are:įrom the dramatist Ben Jonson, the following works stand out: The most representative works of the Renaissance theater belong to the English playwright William Shakespeare. Molière (Jean-Baptiste Poquelin), Jacques Grévin and Pierre de Larivey. Lope de Rueda and Bartolomé de Torres Naharro. Nicolás Machiavelli and Ludovico Ariosto. Étienne Jodelle, Pierre Corneille, Thomas Corneille, Jean Racine and Jean Galbert de Campistron. William Shakespeare, Thomas Kyd and Christopher Marlowe. Giangiorgio Trissino, Giambattista Giraldi Cinthio, Pietro Aretino, Giovanni Giraldi and Torquato Tasso. In the Renaissance theater, dramatists of both tragedy and comedy in Italy, Spain, England and France stood out. After about a year and a half, the work ceased to be interpreted. Interpretations of a work were very frequent with the passage of time, this frequency decreased. Therefore, plays used to be joint ventures between writer and actor. They read the play to the actors and they gave their opinions. Often, dramatists would write plays for a particular company. Later they were built three stories high, around an open space in the center. At first the theaters were represented in taverns with tables set together as a stage. It consisted of an intimate theater, since the actor was not more than twelve meters from his audience and it was unified, inasmuch as it allowed the attendance of all social classes. They used certain dramatic gestures in a consistent manner to signify specific emotions of the audience. The younger ones played the female roles. ![]() In this way they were considered servants and, therefore, they were allowed to act. As they were not members of a guild, they were placed under the patronage of royalty. Unlike actors in medieval theater, the Renaissance theater was composed of professional actors: some specialized in tragic roles and others in comic roles. One of the main writers of the erudite comedy was Ludovico Ariosto (1474-1533). In sixteenth-century Italy the authors of the comedy began to combine aspects of Roman comedy and tragedy with elements of the liturgical drama. The first significant comedy written in Italian was Calender (1506) by Bernardo Dovizi da Bibbiena (1470-1520). ![]() The discovery of Roman comedy, with its characteristic characters and intricate plots, inspired Renaissance playwrights to write similar works. These interludes eventually became the masquerade in England, the opera in Italy and the ballet in France. In the Renaissance theater the solemn scenes of tragedy were often interspersed with interludes: songs and dances taken from Greco-Roman satirical works. The first major tragedy of the Renaissance was the Sofonisba by Giangiorgio Trissino, written in 1515. Already in 1315 Albertino Mussato (1261-1329) wrote a Latin tragedy, Ecerinis. In the field of tragedy, the main influence on the writers of the Renaissance was the work of Seneca. Through this arch you can see the action of a play. This consists of a framework that separates the stage from the audience. New features were also introduced, such as the proscenium arch. Classic devices such as the periaktoi, a rotating prismatic construction for the rapid change of scenery. Greco-Roman ideas influenced the architecture of Italian theater. On the other hand, the theaters of Great Britain and Spain adapted the characteristics of the patios of inns where representations had been carried out previously. His ideas influenced the construction of the first permanent theater houses in Italy and France. The design of the Renaissance stage can also be traced back to classic models, especially to Vitruvius (1st century BC). Thus, the profession of the actor went from having a bad reputation to assume a new dignity, and formed the first professional companies. ![]() The Poetics of Aristotle came to light in the fifteenth century this defined the classic genres of tragedy and comedy. The new interest in classical drama began with the rediscovery of Euripides, Seneca, Plautus and Terence. Renaissance theater began in Italy, with scholars who initially tried to recreate the original Greek and Roman works, and then adapt them to contemporary dress and speech.
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